Shared Glass- Fabrica

graphic design>product design>craft

“The collection is the outcome of group research interrogating glass objects of varied ethnic and historical origins — Lebanese, Italian, Egyptian and French to name a few. Each final piece is a hybrid object, juxtaposing and challenging possibilities, to create surprising, eclectic, multicultural objects. Importantly the designers worked closely with each other and Massimo Lunardon throughout the process, permitting a vocabulary to be built together, from the initial drawings to the free blowing of the objects in the Artisan Workshop. The richness of Shared Glass is in the tension between community and uniqueness, characterized by the particular mix of interesting people, and what is possible when they talk together around a table.”

http://www.fabrica.it/project/shared-glass

Colors of Movement- Fabrica

graphic design>dance>interactive design

“Colors of Movement is an interactive experience that works like a magic mirror which reveals the full spectrum of your moves. The app is inspired by an installation, developed by Paulo Barcelos, commissioned by United Colors of Benetton to be the first interactive piece integrated in their new retail communication platform Benetton Live Windows, and is currently active in Barcelona, Milan, Moscow and Munich.”

http://www.fabrica.it/project/colors-movement-0

Socially responsible design

Came across this site with journal articles on graphic design. Below is an abstract from one that seemed to cross over into our territory. Somewhere in Connect we should speak to how gd people are involved in the solution for “wicked problems”.

Socially responsible design: thinking beyond the triple bottom line to socially responsive and sustainable product design

As the focus of product design has shifted from exclusively commercial to sustainability and social concerns, design education in this area has endeavoured to keep pace. Victor Papanek’s book Design for the real world, crystallised many of the systemic social, economic and environmental concerns into an argument for change through eco-design, inclusive design and, in business and corporate contexts, a triple bottom line of social, environmental and economic factors. Simultaneously, design has developed and evolved participatory and co-design approaches, with high-profile consultancies such as IDEO proving that early involvement of designers with ‘wicked’ social and environmental problems is possible. This position paper revisits Papanek’s agenda for industrial design, and examines the link with participatory approaches, and existing socially responsible design agendas and examples. Identifying eight critical features of socially sustainable product design, this paper suggests that Papanek’s original agenda for socially responsible and sustainable design has been partly fulfilled and must be developed further through the changed role of the designer as facilitator of flexible design solutions that meet local needs and resources.

http://www.tandfonline.com/doi/full/10.1080/15710882.2011.630473

“Bridge” Design Residencies

PathDropboxPinterestAirbnb. They’re some of the most high-profile startups in the world. And now through March 10, the Designer Fund is accepting applications for a new program called Bridge that will allow designers to take a whirl working there.

“These companies are asking for people who don’t even exist right now, a handful of designers in the world that can produce what they’re looking for,” Allen says. “And schools can only go so far. There’s nothing for mid- to senior-level folks to go in and continue to build on their skills. There’s a gap.” A skilled industrial designer has honed a specialized toolset that can be difficult to retrofit without a new wave of study–and study where, exactly? Allen refers to Bridge as something akin to “a PhD or postdoc for designers,” a way for the best and the brightest to keep learning and contributing on the cutting edge. “Even if you have cut your teeth on mobile, there’s always another Android device coming out and different gestures emerging,” Allen says. Ongoing education is now just part of keeping up, especially in the Valley.

http://www.fastcodesign.com/1671874/bridge-design-residencies-will-offer-plum-jobs-at-path-pinterest-and-airbnb?partner=newsletter

Schools pitch new degrees at job-focused students

Great article on how MICA and other schools are taking on a interdisciplinary focus.

Wednesday, 8 Aug 2012
http://www.cnbc.com/id/48568520

“This fall, name-brand schools like Hopkins, Northwestern University, the University of Michigan and Parsons School of Design are launching cross-disciplinary masters programs meant to make students more competitive in a changing economy.

While colleges have always tweaked their offerings, the newest crop of programs seems particularly designed for the times: They are multidisciplinary, job focused and often influenced by private industry. They typically involve mixing creativity with management; data-crunching skills with industry-specific content and science with business and management skills.”

What is missing?

Maya Lin’s final memorial

July 5, 2012

“The project, called “What is Missing?,” seeks to highlight issues surrounding biodiversity and species loss due to human action and inaction through a variety of installations and media including sculptures like the Listening Cone at the California Academy of Sciences, over 150 videos such as “Unchopping a Tree,” and hundreds of stories collected through the What is Missing? Foundation’swebsite. Strongly focused on individual experiences of what Lin calls ‘the Sixth Great Extinction,’ the What is Missing? project seeks to educate world citizens about the dangers of habitat destruction and the former vitality and diversity of places around the globe.

The fact that the project straddles the disciplinary boundaries between architecture, landscape, sculpture, and information design makes it especially accessible and compelling, and raises the question of whether a memorial need be a static object, such as a statue on a pedestal. In fact, this memorial is constantly changing as visitors to the website submit memories of rivers that used to teem with fish but now run empty, or of forests where now only subdivisions run to the horizon.”

http://www.architizer.com/en_us/blog/dyn/44188/maya-lins-final-memorial/

2wice

The pages of 2wice, the performing arts publication designed by Pentagram’s Abbott Miller, have always provided a unique and innovative venue for dance. Now Miller has designed “Fifth Wall,” an interactive app for 2wice that transforms the iPad tablet into a new kind of performance space. Created in collaboration with the choreographer Jonah Bokaer and 2wice publisher Patsy Tarr, the app takes advantage of the unique spatial and physical parameters of the iPad.

http://new.pentagram.com/2012/06/new-work-2wice-fifth-wall-app/